← All work

Case study 01 · Storefront & brand story

Franchetti Bond website

Category, product and brand story pages for a heritage Italian leather brand, designed to feel as personal as the shop in Chelsea and to make it easier to buy online.

Role
Concept, page design, merchandising, imagery & copy
Team
Me, plus one developer
Launched
April 2026
Tools
Shopify, Microsoft Clarity, Photoshop
Constraints
Small team, an existing Shopify theme, limited shoot budget

01 · At a glance

A shop with almost forty years of stories, and a website that didn't tell them

Challenge

Customers loved the Chelsea shop, but online the brand felt generic: no pages about the makers or materials, and product pages that left questions unanswered.

What I did

Re-merchandised the category grids, rebuilt the product page and created three brand story pages from scratch: Craftsmanship, Sustainability and Meet the Team.

Result

Average order value grew from £83 to £150+, with a site that now sells the brand as well as the bags.

02 · The brief

Bring the shop-floor experience online

Franchetti Bond has been making Italian leather bags, shoes and clothing since 1987, with a shop in Chelsea where the team knows customers by name. That warmth, and the craftsmanship behind every piece, wasn't coming across online.

I set myself three goals: make the category pages easy to browse on a phone, answer customers' questions on the product page before they need to ask, and give the brand a voice with pages about where and how everything is made.

Working within limits. With one developer and an existing Shopify theme, I focused on the changes that could be made directly in Shopify: merchandising, imagery, copy and page layouts. Bigger structural ideas are listed under What's next.

03 · The old site

Where it started

Before the redesign, I walked through the site the way a customer would: homepage, category, product, cart. Scroll inside each screen to see the whole page.

  1. The old homepage: a pink promo bar, a trainers video, a Cinderella sale, product carousels still showing placeholder products, spring styling, winter boots and blog posts

    1 · Homepage

    Spring, a shoe sale and winter boots all at once, and two product carousels still showing the theme's placeholder products.

  2. The old Wraps category page: eight wraps on a model in no particular order, with a Sold Out label on the fourth

    2 · Category

    Colours in no particular order, a sold-out wrap in the first row and long names wrapping onto two lines.

  3. The old quick view: clicking a wrap opened a grey panel inside the grid with the price, stock warning, Add to cart and a purple Buy with Shop button

    3 · Quick view

    Clicking a product opened a panel inside the grid, with no description, sizing or care details. The full page was hidden behind "More details".

  4. The old product page: a studio photo of the wrap, an outlined Add to cart button under a bright purple Buy with Shop button, and one paragraph of description

    4 · Product page

    One paragraph and a size. The bright purple Buy with Shop button was louder than Add to cart, and there was nothing else to discover.

  5. The old shopping cart: one wrap, a 10% promotion, the subtotal and a Check out button

    5 · Cart

    A single item and a Check out button: nowhere along the way suggested a second piece.

Decisions across every page

  1. Keep the theme, change everything inside it

    BeforeShopify theme, set up with its defaults

    AfterThe same theme, restyled section by section

    Why
    A new theme would have meant rebuilding every page and retesting checkout. Working inside the existing one let changes go live one page at a time, with no downtime.
    Constraint
    One developer, shared with other work. The filters, sort menu, grid/list toggle and quantity buttons are unchanged because they're fixed by the theme.
  2. A serif for headings

    BeforeA rounded sans-serif in capitals for everything

    AfterWidely spaced serif capitals for headings, a light sans-serif for reading

    Why
    The serif matches the crest and the shop's signage, and says Italian heritage before a word is read. Keeping the body text sans-serif keeps it readable at small sizes on a phone.
    Constraint
    Fonts had to come from Shopify's built-in font library, with no custom font files.
  3. Softer, rounded buttons

    BeforeHard-edged rectangles, some filled and some outlined

    AfterOne filled, rounded slate button for each main action

    Why
    One button style means customers always know what to press. The rounded shape echoes the curves of the bags and feels friendlier, like the shop.
    Constraint
    Button shape and colour are site-wide theme settings, so the change had to work on every page at once.
  4. Prices that look considered

    BeforeConverted prices like €192,92

    AfterPounds, with set price points: £99.95, £159.95, £189.95

    Why
    Most customers are in the UK. Round, repeated price points make a range feel planned and make it easy to compare one bag with another.
    Constraint
    Prices are set by the business; my part was how they're presented and grouped on the page.

04 · Category page

A grid that reads as a collection

Tap a number on the screenshot, or a note beside it, to see the thinking behind each part of the page.

Bags · category page
The Franchetti Bond Bags page: a headline, two large photos of bags, then a grid of eight bags in four colours each

Before & after · drag to compare

After: the Bags page, with a headline, two large photos and bags in rows by style
Before: the Wraps page, a plain grid of wraps on a model in no particular order

The decisions

  1. Open with a promise, not just a title

    BeforeThe category name, then straight into the grid

    After"Hand finished in Italy, designed for life", a Read more button and two large photos

    Why
    Someone arriving from Instagram or Google may not know the brand. One line tells them why these bags cost what they do, and Read more leads to the Craftsmanship page for anyone who wants the story.
    Constraint
    It had to be short enough that the first products still show without much scrolling, using the theme's existing banner and image sections.
  2. A close-up and a carried shot, side by side

    BeforeNo imagery above the grid

    AfterA hardware close-up next to the bag being held

    Why
    Online, customers can't touch the leather or try the bag on. The close-up stands in for touch, the carried shot for size: the two questions the shop team hears most.
    Constraint
    A small shoot budget, so I chose two images that each answer a question rather than a bigger campaign banner.
  3. Group by style, then light to dark

    BeforeStyles and colours mixed in no particular order

    AfterOne style per row, colours running from white to black

    Why
    It's how a shop shelf is merchandised: shoppers compare one shape across colours, then move on. It turns eight products into two clear choices and makes the range look bigger and more planned.
    Constraint
    The theme lists every colour as its own product, with no colour swatches, so the order had to be set by hand in each collection.
  4. Sold-out and broken sizes move down

    BeforeA Sold Out label in the top row

    AfterOnly products that can be bought in the first rows

    Why
    The top rows are the most valuable space on the page. Filling them with things people can't buy wastes the first impression.
    Constraint
    Without an app to sort automatically, I check stock and re-order collections by hand.
  5. One studio look for every product

    BeforeProducts shot on a model, crops and scale changing from photo to photo

    AfterEach bag on the same soft grey backdrop, same angle and size, retouched to true colour

    Why
    When every photo matches, the eye compares the bags, not the photos. True colour also means fewer surprises when the parcel arrives.
    Constraint
    Shot and retouched in-house with a small budget; a fixed backdrop and set-up made it repeatable for every new arrival.
  6. Names that are short and sound good

    Before"Mia light blue and light pink with crystal trim wrap"

    After"Anya Italian Leather / Sky Blue"

    Why
    Style, then material, then colour fits on two short lines in a phone grid. Colour names like Timeless Taupe and Toasted Tan sell a feeling as well as describe.
    Constraint
    Product titles also feed search and Google Shopping, so each needed to keep "Italian Leather" in it.

05 · Product page

Answer the question before it's asked

Stella Woven Leather · product page
The Stella Woven Leather bag product page: a lifestyle photo, add to cart button, information drop-downs, customer reviews and recommended bags

Before & after · drag to compare

After: the product page opens on the bag being carried, with one Add to cart button and drop-downs for description, sizing, care and delivery
Before: the product page, with a studio photo, an outlined Add to cart button under a purple Buy with Shop button, and one paragraph of description

The decisions

  1. Clicking a product opens the product page

    BeforeA quick view panel opened inside the grid

    AfterEvery click goes to the full product page

    Why
    The quick view had no description, sizing or care details, and most customers never went further. For a £160 bag, people need the whole story before they buy, not a shortcut.
    Constraint
    Quick view is a theme setting, so switching it off was simple; the work was making the product page worth the extra click.
  2. Open the gallery on the bag being carried

    BeforeThree photos, all in the studio

    AfterSix photos, starting with a lifestyle shot, then studio and detail

    Why
    The first photo answers "how big is it, and how would it look on me?" The studio and close-up shots that follow show the colour and the leather.
    Constraint
    Lifestyle shoots are expensive, so each one was planned to cover several products, and the studio shots reuse the same set-up as the grid.
  3. One button to buy

    BeforeAn outlined Add to cart under a bright purple Buy with Shop button

    AfterOne filled, rounded Add to cart

    Why
    The purple button was the loudest thing on the page and not in the brand's colours. One clear action keeps the page calm and the decision simple.
    Constraint
    Fast payment options are still offered at checkout, so no one loses the option; it just doesn't compete on the product page.
  4. Answers in four drop-downs

    BeforeOne paragraph and "140x140cm"

    AfterDescription, Sizing, Care and Shipping & Returns, each with an icon

    Why
    I wrote them from the questions customers ask in the shop and by email. Drop-downs keep the page tidy while every answer is one tap away, and icons make them quick to scan.
    Constraint
    Each answer had to be written for every product by hand, so I made templates for each type: bags, shoes, clothing.
  5. Let customers say it

    BeforeNo reviews

    After"Our customers say it better": full, real reviews in a carousel

    Why
    Small brands have to earn trust. Long, personal reviews about the team and the quality do that better than star ratings alone.
    Constraint
    Reviews were collected from emails and messages, with each customer's permission, rather than through a paid reviews app.
  6. Something to add before checkout

    BeforeNothing to discover after the product, and a cart with one item

    After"You may also like": similar bags plus a lower-priced accessory, with a wishlist heart

    Why
    A £99.95 pouch is an easy yes next to a £159.95 bag. This is one of the main reasons average order value went from £83 to £150+.
    Constraint
    The theme's recommendations block, with products chosen by hand, rather than a paid personalisation tool.

06 · Brand story

Three pages that didn't exist before

Craftsmanship, Sustainability and Meet the Team were my idea, from concept to copy and layout. They give customers a reason to trust a £160 bag from a brand they may not know yet.

Welcome to Franchetti Bond: a unique, independent fashion brand that brings on-trend, exquisitely made leather goods, clothing and accessories that are individual, stylish and classic.
BeforeThis paragraph on the homepage was the whole brand story. Nothing about Florence, the makers, London or the people in the shop.
Craftsmanship
The Craftsmanship page: five icons for the product's qualities, then alternating photos and text about craftsmanship, the makers, Italian heritage and London

The decisions

  1. Three pages, three questions

    BeforeOne paragraph on the homepage

    AfterCraftsmanship, Sustainability and Meet the Team

    Why
    Each page answers something customers ask before spending this much: is it well made, is it made responsibly, and who am I buying from?
    Constraint
    Built as standard Shopify pages from the theme's own sections, so the team can update them without a developer.
  2. Icons first, story second

    BeforeNo summary of what makes the products different

    AfterA row of icons under each headline: Italian leather, made by hand, water resistant…

    Why
    Most visitors skim. The icons give the key points in two seconds, and work as a contents list for anyone who keeps reading.
    Constraint
    Simple single-colour icons that match the text colour, so they look right in the theme without custom artwork.
  3. Zig-zag photo and text

    BeforeUnconnected banners stacked down the homepage

    AfterPhoto and text blocks alternating left and right, with rounded corners

    Why
    The rhythm keeps a long page easy to scroll and gives every paragraph its own picture. On a phone the blocks stack neatly, photo then text.
    Constraint
    The theme's image-with-text section, reused rather than custom-built.
  4. Specific facts instead of slogans

    Before"Unique, on-trend, individual, stylish and classic"

    AfterFounded in 1987, makers for 30+ years, deadstock given to named charities, stock moved by train

    Why
    Any brand can say it's stylish. Dates, names and numbers are what make a small brand believable.
    Constraint
    Every claim had to be true and checked with the founder, especially on the Sustainability page.
  5. Real faces, in their own words

    BeforeNo team on the site

    AfterEveryone grouped by place (London, West Sussex, Barcelona) with their role, start year and a quote

    Why
    The people are what customers love about the Chelsea shop. Seeing them online makes buying from a small brand feel personal, and regulars recognise the faces.
    Constraint
    No budget for a team shoot, so I used photos people already had and kept the cards the same size so the mix still looks tidy.

07 · Results

What changed

£150+

Average order value, up from £83

80%+

More spent per order

3

New brand story pages, from idea to launch

08 · What's next

Shipped, and what I'd do next

Shipped

  • Re-merchandised category grids, sequenced for mobile
  • Consistent, colour-accurate product photography
  • Product pages with sizing, care and delivery answers
  • Cross-sell with lower-priced accessories
  • Craftsmanship, Sustainability and Meet the Team pages

With more resources

  • Group colourways into one product with swatches, to free up grid space
  • Fit and size guidance right beside the price
  • A sticky Add to cart bar on mobile
  • "Complete the look" pairings on every product page
  • The craftsmanship icons repeated on each product page